Sculptural assemblages emerge from found materials and everyday objects that have lost their original function. By bringing together heterogeneous elements, open structures emerge in which materiality, form and relationships generate new meanings.

The works develop through an open process. Decisions arise from the qualities of the materials as much as from their interaction. Found objects are not treated as representations of something else, but as autonomous actors within an evolving system.

The assemblages move between the organic and the constructed, the familiar and the unfamiliar. They examine how new relationships emerge from fragments and how meaning develops through connection.