Constructed from photographic fragments, found surfaces and digitally sourced imagery,
the collages begin with structures encountered in urban environments. These elements are isolated, displaced and reassembled into new visual constellations.

Rather than following a narrative logic, the works are structured through relationships. Individual image fragments enter into tension with one another, overlap, contradict each other or settle into fragile states of balance. Scale, perspective and materiality remain deliberately unstable throughout.

The collages explore transitions between the organic and the constructed, surface and depth, control and chance. They are not representations of existing spaces but autonomous image spaces—condensations of movement, fragmentation and continuous transformation.